Book Discussion Guide: Age of Miracles by Karen Thompson Walker: Reviews
From Publishers Weekly
In this gripping debut, 11-year-old Julia wakes one day to the news that the earth’s rotation has started slowing. The immediate effects – no one at soccer practice; relentless broadcasts of the same bewildered scientists – soon feel banal compared to what unfolds. “The slowing” is growing slower still, and soon both day and night are more than twice as long as they once were. When governments decide to stick to the 24-hour schedule (ignoring circadian rhythms), a subversive movement erupts, “real-timers” who disregard the clock and appear to be weathering the slowing better than clock-timers – at first. Thompson’s Julia is the perfect narrator. On the brink of adolescence, she’s as concerned with buying her first bra as with the birds falling out of the sky. She wants to be popular as badly as she wants her world to remain familiar. While the apocalypse looms large – it in fact already arrived – the narrative remains fiercely grounded in the surreal and horrifying day-to-day and the personal decisions that persist even though no one knows what to do. A triumph of vision, language, and terrifying momentum, the story also feels eerily plausible, as if the problems we’ve been worrying about all along pale in comparison to what might actually bring our end.
From Library Journal
Eleven-year-old Julia awakens on a Saturday morning in her suburban California home to find the world irrevocably altered. Somehow, Earth’s rate of rotation has slowed. Julia’s physician father and former-actress mother struggle with their own fears as they try to maintain the normalcy of soccer games and piano lessons. Neighborhoods and friendships fracture after families make conflicting choices in coping with the lengthening and unpredictable days. Julia’s perspective here is mature because she is looking back on events that began several years in the past, but the accounts of middle-school bullying and cliques ring true, and her coming-of-age struggles are universal even in these heightened circumstances.
From Kirkus Reviews
In Walker’s stunning debut, a young California girl coming of age in a dystopian near future confronts the inevitability of change on the most personal level as life on earth withers. Sixth-grader Julia, whose mother is a slightly neurotic former actress and whose father is an obstetrician, is living an unremarkable American middle-class childhood. She rides the school bus and takes piano lessons; she has a mild crush on a boy named Seth whose mother has cancer; she enjoys sleepovers with her best friend Hanna, who happens to be a Mormon. Then one October morning there’s a news report that scientists have discovered a slowing of the earth’s rotation, adding minutes to each day and night. After initial panic, the human tendency to adapt sets in even as the extra minutes increase into hours. Most citizens go along when the government stays on a 24-hour clock, although an underground movement of those living by “real time” sprouts up. Gravity is affected; birds begin to die, and astronauts are stranded on their space station. By November, the “real time” of days has grown to 40 hours, and the actual periods of light and dark only get longer from that point. The world faces crises in communication, health, transportation and food supply. The changes in the planet are profound, but the daily changes in Julia’s life, which she might be facing even in a normal day, are equally profound. Hanna’s family moves to Utah, leaving Julia without a best friend to help defend against the bullies at the bus stop. She goes through the trials and joys of first love. She begins to see cracks in her parents’ marriage and must navigate the currents of loyalty and moral uncertainty. She faces sickness and death of loved ones. But she also witnesses constancy and perseverance. Julia’s life is shaped by what happens in the larger world, but it is the only life she knows, and Walker captures each moment, intimate and universal, with magical precision. Riveting, heartbreaking, profoundly moving.