Asian-Inspired Fiction: Japanese Immigrant/Experience

A lively and surprising novel about a Japanese woman with a closely guarded secret, the American daughter who strives to live up to her mother's standards, and the rejuvenating power of forgiveness. How to Be an American Housewife is a novel about mothers and daughters, and the pull of tradition. It tells the story of Shoko, a Japanese woman who married an American GI, and her grown daughter, Sue, a divorced mother whose life as an American housewife hasn't been what she'd expected. When illness prevents Shoko from traveling to Japan, she asks Sue to go in her place. The trip reveals family secrets that change their lives in dramatic and unforeseen ways. Offering an entertaining glimpse into American and Japanese family lives and their potent aspirations, this is a warm and engaging novel full of unexpected insight.

Married to a wonderful man and a mother to two strong-minded teens, Rachel hasn't returned to her childhood home since being kicked out by her strict father after an act of careless teenage rebellion. Drew, her younger sister, followed her passion for music but takes side jobs to make ends meet and longs for the stability that has always eluded her. Both sisters recall how close they were, but the distance between them seems more than they can bridge. When their deferential Japanese mother, Hikari, is diagnosed with dementia and gives Rachel power of attorney.

The swimmers are unknown to one another except through their private routines (slow lane, medium lane, fast lane) and the solace each takes in their morning or afternoon laps. But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief.   One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese American incarceration camp in which she spent the war. Alice's estranged daughter, reentering her mother's life too late, witnesses her stark and devastating decline.

In this brilliant new novel by from Emiko Jean, the author of the New York Times bestselling young adult novel Tokyo Ever After, comes a whip-smart, laugh-out-loud funny, and utterly heartwarming novel  about motherhood, daughterhood, and love--how we find it, keep it, and how it always returns. One phone call changes everything.  At thirty-five, Mika Suzuki's life is a mess. Her last relationship ended in flames. Her roommate-slash-best friend might be a hoarder. She's a perpetual disappointment to her traditional Japanese parents. And, most recently, she's been fired from her latest dead-end job.   Mika is at her lowest point when she receives a phone call from Penny--the daughter she placed for adoption sixteen years ago. Penny is determined to forge a relationship with her birth mother, and in turn, Mika longs to be someone Penny is proud of.

In the opening pages of Jamie Ford's stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle's Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry's world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While scholarshipping at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship and innocent love that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko.

Julie Otsuka's commanding debut novel paints a portrait of the Japanese internment camps unlike any we have ever seen. With crystalline intensity and precision, Otsuka uses a single family to evoke the deracination--both physical and emotional--of a generation of Japanese Americans. In five chapters, each flawlessly executed from a different point of view--the mother receiving the order to evacuate; the daughter on the long train ride to the camp; the son in the desert encampment; the family's return to their home; and the bitter release of the father after more than four years in captivity--she has created a small tour de force, a novel of unrelenting economy and suppressed emotion. Spare, intimate, arrestingly understated, When the Emperor Was Divine is a haunting evocation of a family in wartime and an unmistakably resonant lesson for our times. It heralds the arrival of a singularly gifted new novelist. From the Hardcover edition.

Winner of the PEN/Faulkner Award For Fiction National Book Award and Los Angeles Times Book Prize Finalist A New York Times Notable Book A gorgeous novel by the celebrated author of When the Emperor Was Divine that tells the story of a group of young women brought from Japan to San Francisco as "picture brides" nearly a century ago. In eight unforgettable sections, The Buddha in the Attic traces the extraordinary lives of these women, from their arduous journeys by boat, to their arrival in San Francisco and their tremulous first nights as new wives; from their experiences raising children who would later reject their culture and language, to the deracinating arrival of war. Once again, Julie Otsuka has written a spellbinding novel about identity and loyalty, and what it means to be an American in uncertain times.

In 1939, as Poland falls under the shadow of the Nazis, young Alma Belasco’s parents send her away to live in safety with an aunt and uncle in their opulent mansion in San Francisco. There, as the rest of the world goes to war, she encounters Ichimei Fukuda, the quiet and gentle son of the family’s Japanese gardener. Unnoticed by those around them, a tender love affair begins to blossom. Following the Japanese attack on Pearl Harbor, the two are cruelly pulled apart as Ichimei and his family—like thousands of other Japanese Americans—are declared enemies and forcibly relocated to internment camps run by the United States government. Throughout their lifetimes, Alma and Ichimei reunite again and again, but theirs is a love that they are forever forced to hide from the world. Decades later, Alma is nearing the end of her long and eventful life. Irina Bazili, a care worker struggling to come to terms with her own troubled past, meets the elderly woman and her grandson, Seth, at San Francisco’s charmingly eccentric Lark House nursing home. As Irina and Seth forge a friendship, they become intrigued by a series of mysterious gifts and letters sent to Alma, eventually learning about Ichimei and this extraordinary secret passion that has endured for nearly seventy years. Sweeping through time and spanning generations and continents, The Japanese Lover explores questions of identity, abandonment, redemption, and the unknowable impact of fate on our lives.

The book follows young Ruth from her arrival at the Kapi'olani Home for Girls in Honolulu, to her adoption by a Japanese couple who raise her on a strawberry and grape farm in California, her marriage and unjust internment at Manzanar Relocation Camp during World War II--and then, after the war, to the life-altering day when she receives a letter from a woman who says she is Ruth's birth mother, Rachel.Daughter of Moloka'i expands upon Ruth and Rachel's 22-year relationship, only hinted at in Moloka'i. It's a richly emotional tale of two women--different in some ways, similar in others--who never expected to meet, much less come to love, one another. And for Ruth it is a story of discovery, the unfolding of a past she knew nothing about.

FIVE BODIES. ONE CLUE. NOT A TRACE OF THE KILLER. San Francisco antiques dealer Jim Brodie recently inherited a stake in his father s Tokyo-based private investigation firm, which means the single father of six-year-old Jenny is living a busy intercontinental life, traveling to Japan to acquire art and artifacts for his store and con-sulting on Brodie Security s caseload at home and abroad. One night, an entire family is gunned down in San Francisco s bustling Japantown neighbor-hood, and Brodie is called on by the SFPD to decipher the lone clue left at the crime scene: a unique Japanese character printed on a slip of paper drenched in blood. Brodie can t read the clue. But he may have seen it before at the scene of his wife s death in a house fire four years ago. With his deep array of Asian connections and fluency in Japanese, Brodie sets out to solve a seemingly perfect crime and at the same time learn whether his wife s tragic death was more than just an accident. And as he unravels a web of intrigue stretching back centuries and con-nected to the murders in San Francisco, the Japantown killer retaliates with a new target: Brodie s daughter.

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.   At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.   And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter.   With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions,