Graphics for Grownups: Memoirs/Biographies

In the early twentieth century, travel writing represented the desire for the expanding bourgeoisie to experience the exotic cultures of the world past their immediate surroundings. Journalist William Buehler Seabrook was emblematic of this trend-participating in voodoo ceremonies, riding camels cross the Sahara desert, communing with cannibals and most notably, popularizing the term "zombie" in the West. A string of his bestselling books show an engaged, sympathetic gentleman hoping to share these strange, hidden delights with the rest of the world. He was willing to go deeper than any outsider had before. But, of course, there was a dark side. Seabrook was a barely functioning alcoholic who was deeply obsessed with bondage and the so-called mystical properties of pain and degradation.

Alexander von Humboldt (1769-1859) was an intrepid explorer and the most famous scientist of his age. His restless life was packed with adventure and discovery, but his most revolutionary idea was a radical vision of nature as a complex and interconnected global force that does not exist for the use of humankind alone. His theories and ideas were profoundly influenced by a five-year exploration of South America. Now Andrea Wulf partners with artist Lillian Melcher to bring this daring expedition to life, complete with excerpts from Humboldt's own diaries, atlases, and publications.

An Age of License is a funny and charming account of a whimsical tour of the continent, as Knisley promotes her latest work. Taking in her many encounters with cute cats, occasional romantic endeavours and her trademark illustrations of the food she ate along the way. But it's not all kittens and crêpes: Knisley's experiences are coloured by anxieties, introspective self-enquiry and a series of revelatory experiences, made even more intense for occurring in an unfamiliar country.

In this moving graphic memoir, Eisner Award-winning writer and artist Michael Kupperman traces the life of his reclusive father--the once-world-famous Joel Kupperman, Quiz Kid. That his father is slipping into dementia--seems to embrace it, really--means that the past he would never talk about might be erased forever. Joel Kupperman became one of the most famous children in America during World War II as one of the young geniuses on the series Quiz Kids. With the uncanny ability to perform complex math problems in his head, Joel endeared himself to audiences across the country and became a national obsession. Following a childhood spent in the public eye, only to then fall victim to the same public's derision, Joel deliberately spent the remainder of his life removed from the world at large.

Stan Lee is a man who needs no introduction. The most legendary name in the history of comic books, he was the leading creative force behind Marvel Comics, and brought to life--and into the mainstream--some of the world's best-known heroes and most infamous villains throughout his career. His stories--filled with superheroes struggling with personal hang-ups and bad guys who possessed previously unseen psychological complexity--added wit and subtlety to a field previously locked into flat portrayals of good vs. evil. Lee put the human in superhuman and in doing so, created a new mythology for the twentieth and twenty-first centuries. In this beautifully illustrated graphic memoir--illustrated by celebrated artist Colleen Doran--discover the true story behind the man, written with the same inimitable wit, energy, and offbeat spirit that he brought to the world of comics.

On September 10, 2001, Eddie Torres started his dream job at Cantor Fitzgerald in the North Tower of the World Trade Center. The next morning, he said goodbye to his 7½-months-pregnant wife, Alissa, and headed out the door. In an instant, Alissa’s world was thrown into chaos. Forced to deal with unimaginable challenges, Alissa suddenly found herself cast into the role of “9/11 widow,” tossed into a storm of bureaucracy, politics, patriotism, mourning, consolation, and, soon enough, motherhood.

In 1988, when Kimball is only four years old, her mother attempts suicide on Mother's Day--and this becomes one of many things Kimball's family never speaks about. As she searches for answers nearly thirty years later, Kimball embarks on a thrilling visual journey into the secrets her family has kept for decades. Using old diary entries, hospital records, home videos, and other archives, Margaret pieces together a narrative map of her childhood--her mother's bipolar disorder, her grandmother's institutionalization, and her brother's increasing struggles--in an attempt to understand what no one likes to talk about: the fractures in her family.

Lion Forge Comics is proud to present this amazing story of a man who turned a curse into a blessing. Written by 2014 Eisner Award-nominee Brandon M. Easton with gorgeous artwork by Denis Medri, this unprecedented biography of Andre the Giant charts his earliest days on his family's farm, to his enormously successful runs in Japan, to his heated feuds with the biggest wrestling stars of all time, to his memorable turns in Hollywood TV and cinema and to his darkest moments caused by excessive substance abuse. Based on testimony from Andre's friends and colleagues - including his daughter Robin - this is the story you've never been told about Andre "the Giant" Roussimoff.

In striking, virtuoso graphic style that captures both the immediacy of childhood and the fervor of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria--but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation. Riad, delicate and wide-eyed, follows in the trail of his mismatched parents; his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discoveranother family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insultâe¦ Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace. Brimming with life and dark humor,The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.

The highly anticipated continuation of Riad Sattouf’s internationally acclaimed, #1 French bestseller, which was hailed by The New York Times as “a disquieting yet essential read”

In The Arab of the Future: Volume 1, cartoonist Riad Sattouf tells of the first years of his childhood as his family shuttles back and forth between France and the Middle East. In Libya and Syria, young Riad is exposed to the dismal reality of a life where food is scarce, children kill dogs for sport, and his cousins, virulently anti-Semitic and convinced he is Jewish because of his blond hair, lurk around every corner waiting to beat him up.

In Volume 2, Riad, now settled in his father’s hometown of Homs, gets to go to school, where he dedicates himself to becoming a true Syrian in the country of the dictator Hafez Al-Assad. Told simply yet with devastating effect, Riad’s story takes in the sweep of politics, religion, and poverty, but is steered by acutely observed small moments: the daily sadism of his schoolteacher, the lure of the black market, with its menu of shame and subsistence, and the obsequiousness of his father in the company of those close to the regime. As his family strains to fit in, one chilling, barbaric act drives the Sattoufs to make the most dramatic of changes.

Darkly funny and piercingly direct, The Arab of the Future, Volume 2 once again reveals the inner workings of a tormented country and a tormented family, delivered through Riad Sattouf’s dazzlingly original talent.

In the third installment of the acclaimed series, the Sattouf family begins to implode under the pressure of Hafez al-Assad's regime and the suffocation of their rural Syrian village.
The Arab of the Future is the widely acclaimed, internationally bestselling graphic memoir that tells the story of Riad Sattouf’s peripatetic childhood in the Middle East. In the first volume, which covers the years 1978–1984, his family moves between rural France, Libya, and Syria, where they eventually settle in his father’s native village of Ter Maaleh, near Homs. The second volume recounts young Riad’s first year attending school in Syria (1984–1985), where he dedicates himself to becoming a true Syrian in the country of Hafez al-Assad. In this third volume, (1985–1987), Riad’s mother, fed up with the grinding reality of daily life in the village, decides she cannot take it any longer. When she resolves to move back to France, young Riad sees his father torn between his wife’s aspirations and the weight of family traditions.

The penultimate installment in the bestselling French graphic memoir series―hailed as “exquisitely illustrated” and “irresistible”―covering the years of Riad Sattouf’s adolescence, from 1987-1992.
In the fourth volume of The Arab of the Future, little Riad has grown into a teenager. In the previous books, his childhood was complicated by the pull of his two cultures―French and Syrian―and his parents’ deteriorating relationship. Now his father, Adbel-Razak, has left to take a job in Saudi Arabia, and after making a pilgrimage to Mecca, turns increasingly towards religion. But after following him from place to place and living for years under the harsh conditions of his impoverished village, Riad’s mother Clementine has had enough. Refusing to live in a country where women have no rights, she returns with her children to live in France with her own mother… until Abdel-Razak shows up unexpectedly to drag the family on yet another journey.
As the series builds to a climax, we see Riad struggle with problems both universal (bullies at school) and specific (his mother’s sudden illness, the judgment of his religious relatives). And as Abdel-Razak returns again to the same fantastical dreams he pursued in previous books, we see him become more and more unhinged, until ultimately he crosses the line from idealism to fanaticism, leading to a dramatic breaking point.
Full of the same gripping storytelling and lush visual style for which Sattouf’s previous works have won numerous awards, The Arab of the Future 4 continues the saga of the Sattouf family and their peripatetic life in France and the Middle East.

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From the New York Times bestselling author of Fun Home, Are You My Mother?: A Comic Drama is a brilliantly told graphic memoir of Alison Bechdel becoming the artist her mother wanted to be.
Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother — to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

A visionary story of three generations of artists whose search for meaning and connection transcends the limits of life
How do we relate to--and hold--our family's past? Is it through technology? Through spirit? Art, poetry, music? Or is it through the resonances we look for in ourselves? In Artificial, we meet the Kurzweils, a family of creators who are preserving their history through unusual means. At the center is renowned inventor and futurist Ray Kurzweil, who has long been saving the documents of his deceased father, Fredric, an accomplished conductor and pianist from Vienna who fled the Nazis in 1938.
With Kurzweil's signature humanity and humor, in boundary-pushing, gorgeous handmade drawings, Artificial guides us through nuanced questions about art, memory, and technology, demonstrating that love, a process of focused attention, is what grounds a meaningful life.

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to "lower her gaze" in order to deflect attention from boys.
After she is "slut-shamed" at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up and identify the killer, Una grapples with the patterns of behavior that led her to believe she was to blame.
Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of color to convey Una's sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies.

Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it.
After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier.

Political cartoonist and Kennedy Award winner Ted Rall interviewed Bernie Sanders at length for this book and delved deep into his background to create this one-of-a-kind biography.
Sanders' upbringing in a struggling working-class family in a hardscrabble section of Brooklyn during the 1950s taught him that poverty is a disease, one that affects us all. Incredibly, the lessons he learned back then are revolutionizing the political process this year, marking the resurgence of political progressivism on the left at the same time as the two-party system seems to be on the way out. From McGovern’s 1972 loss to Nixon to the Occupy movement, Rall shows readers exactly how the American public was primed to embrace a socialist calling for a political revolution.

An intimate and poignant debut graphic novel portraying one family’s journey from war-torn Vietnam, from Thi Bui.
This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves.
At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.
With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life, with words and images, Bui’s journey of understanding and provides inspiration to all those who search for a better future while longing for a simpler past. It is a powerful look at one woman’s life and a war fought decades ago, but her story and the book’s message resonate remarkably today.

In the summer of 1971, the New York's Attica State Prison is a symbol of everything broken in America - abused prisoners, rampant racism and a blind eye turned towards the injustices perpetrated on the powerless. But when the guards at Attica overreact to a minor incident, the prisoners decide they've had enough - and revolt against their jailers, taking them hostage and making demands for humane conditions. Frank "Big Black" Smith finds himself at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. But when the only avenue for justice seems to be negotiating with ambitious Governor Nelson Rockefeller, Big Black soon discovers there may be no hope in finding a peaceful resolution for the prisoners in Attica.

Poland, 1941. Sixteen-year-old Harry Haft is sent to Auschwitz. When he is forced to fight against other inmates for the amusement of the SS officers, Haft shows extraordinary strength and courage, and a determination to survive. As the Soviet Army advances in April 1945, he makes a daring escape from the Nazis. After negotiating the turmoil of postwar Poland, Haft immigrates to the United States and establishes himself as a professional prizefighter, remaining undefeated until he faces heavy­weight champion Rocky Marciano in 1949. In The Boxer, Reinhard Kleist reveals another side to the steely Harry Haft: a man struggling to escape the memories of the fiancée he left behind in Poland. This is a powerful and moving graphic novel about love and the will to survive.

When a dear friend dies by suicide, Emilia is left with only memories. Full of humor and poignancy, this graphic memoir is a meditation on the meaning of friendship and a love letter to an irreplaceable friend. Emilia first met Charlotte in their school locker room in the late '90s. They quickly bonded over indie music, feminist literature, a love of purple, and a shared sense of outsiderness. Their joyful, intense friendship evolved through the years-until Charlotte died in 2018 following a long struggle with depression. Now, Emilia assembles her memories into a graphic memoir reflecting on the bond they shared and the ways it shaped them. As they pass in and out of each other's lives, teenage ideals collide with adult realities, prompting reflections about the meaning of friendship.

Visit Roz Chast's website for many more comics.
In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast’s memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”―with predictable results―the tools that had served Roz well through her parents’ seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies―an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades―the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast’s talent as cartoonist and storyteller.

A unique insight into an acclaimed cartoonist’s travels through Europe and Morocco
Riding the international success of Blankets, Craig Thompson sets out on a tour across Europe and Morocco, promoting the various European editions of his book and beginning research for his next graphic novel, Habibi. Carnet de Voyage is a gorgeous sketchbook diary of his travels as he finds intellectual and spiritual stimulation during the day-to-day work of being an author. From wandering around Paris and Barcelona between events, to navigating markets in Fez and fleeing tourist traps in Marrakesh, we see glimpses of each place, rendered in Thompson’s exquisite ink line.
While desert landscapes and crowded street scenes flow across the pages, the sketchbook is packed first and foremost with people―travelers passing through, the friends and lovers he meets along the way, distant figures of old friends and other cartoonists who freely weave in and out of his subconscious. This expanded edition also includes a new epilogue drawn from his most recent European book tour, including several familiar faces and Thompson’s reflections on keeping a sketchbook. Carnet de Voyage is a casual yet intimate portrait of a celebrated cartoonist at a moment between works―surprisingly open and candid in his observations and revelations.

A coming-of-age graphic memoir, set against the seedy 1970s Windy City.
From Harvey- and Eisner-nominated cartoonist and editor Glenn Head comes Chicago, the hilarious and harrowing tale of a nineteen-year-old virgin who drops out of everything and into the unknown. Abandoning suburbia for art school and then the gritty streets, young Glenn finds himself fending off predators and fighting depression. A visit to Playboy offers entrée into the world of underground comix and R. Crumb, but it’s a chance encounter with Muhammad Ali that allows young Glenn to prove his mettle. Like Scorsese circa Mean Streets crossed with revealing autobiography like Jim Carroll’s The Basketball Diaries, Chicago is an unforgettable tale of losing one’s mind, finding one’s identity, and discovering love where it’s least expected.

An intimate, clever, and ultimately gut-wrenching graphic memoir about the daily decision women must make between being sexualized or being invisible
In Commute, we follow author and illustrator Erin Williams on her daily commute to and from work, punctuated by recollections of sexual encounters as well as memories of her battle with alcoholism, addiction, and recovery. As she moves through the world navigating banal, familiar, and sometimes uncomfortable interactions with the familiar-faced strangers she sees daily, Williams weaves together a riveting collection of flashbacks.
Williams recollections highlight the indefinable moments when lines are crossed and a woman must ask herself if the only way to avoid being objectified is to simply cease drawing any attention to her physical being. She delves into the gray space that lives between consent and assault and tenderly explores the complexity of the shame, guilt, vulnerability, and responsibility attached to both.

In this hybrid memoir, Alberto Ledesma wonders, At what point does a long-time undocumented immigrant become an American in the making? From undocumented little boy to “hyper documented” university professor, Ledesma recounts how even now, he sometimes finds himself reverting to the child he was, recalling his father’s words: “Mijo, it doesn’t matter how good you think your English is, la migra will still get you.”
Exploring Ledesma’s experiences from immigrant to student to academic, Diary of a Reluctant Dreamer presents a humorous, gritty, and multilayered portrait of undocumented immigrant life in urban America. Ledesma’s vignettes about life in the midst of ongoing social trauma give voice to a generation that has long been silent about its struggles. Delving into the key moments of cultural transition throughout his childhood and adulthood—police at the back door waiting to deport his family, the ex-girlfriend who threatens to call INS and report him, and the interactions with law enforcement even after he is no longer undocumented—Ledesma, through his art and his words, provides a glimpse into the psychological and philosophical concerns of undocumented immigrant youth who struggle to pinpoint their identity and community.

In the latest volume of her graphic travelogue series, New York Times-best selling cartoonist Lucy Knisley must care for her grandparents on a cruise.
In her graphic memoirs, New York Times-best selling cartoonist Lucy Knisley paints a warts-and-all portrait of contemporary, twentysomething womanhood, like writer Lena Dunham (Girls). In the next installment of her graphic travelogue series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book’s watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather’s WWII memoir, which is excerpted. Readers will identify with Knisley’s frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents’ frailty.

When Catherine is diagnosed with acute leukemia, a deadly form of cancer that attacks the immune system, her life is turned upside down. Young and previously healthy, she now finds herself catapulted into the world of the seriously ill―constantly testing and waiting for results, undergoing endless medical treatments, learning to accept a changing body, communicating with a medical team, and relying on the support of her partner, family, and friends.
A professional illustrator, Catherine decides to tell the story of her disease in this graphic novel, and she does so with great sincerity, humor, and rare lucidity. We accompany her though the waiting, the doubts, the fears, and the tears―but also the laughter, the love, and the strong will to live.
Rich in emotion, lighthearted, and profound, Down to the Bone is a powerful book.

Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beaton, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta’s oil rush―part of the long tradition of East Coasters who seek gainful employment elsewhere when they can’t find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed.
Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

This graphic memoir is about how the author copes with her loss of voice due to injury.
Part memoir, part medical cautionary tale, Dumb tells the story of how an urban twentysomething copes with the everyday challenges that come with voicelessness. Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined. Two-color illustrations throughout.

In Einstein, writer Jim Ottaviani and artist Jerel Dye take us behind the veneer of Einstein’s celebrity, painting a complex and intimate portrait of the world’s most well-known scientist.
E = mc²
A world-changing equation and a wild head of hair are all most of us know about one of history’s greatest minds, despite his being a household name in his lifetime and an icon in ours. But while the broad outlines of what Einstein did are well known, who he was remained hidden from view to most...even his closest friends.
This is the story of a scientist who made many mistakes, and even when he wanted to be proven wrong, was often right in the end. It's a story of a humanist who struggled to connect with people. And it's a story of a reluctant revolutionary who paid a high price for living with a single dream.
In Einstein, Jim Ottaviani and Jerel Dye take us behind the veneer of celebrity, painting a complex and intimate portrait of the scientist whose name has become another word for genius.

Ephemera is a poetic and dreamlike take on a graphic memoir set in a garden, a forest, and a greenhouse. The story drifts among a grown woman, her early memories as a child, and the gossamer existence of her mother. A lyrical entry in the field of graphic medicine, Ephemera is a story about a daughter trying to relate to a parent who struggles with mental illness. Gorgeously illustrated in a painted palette of warmy, earthy tones, it is a quiet book of isolation, plants, confusion, acceptance, and the fog of childhood. Loewinsohn's debut book is an aching, meditative twist on autobiography, infusing the genre with an ethereal fusion of memory and imagination.

In Gabrielle Bell’s much anticipated graphic memoir, she returns from New York to her childhood town in rural Northern California after her mother’s home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on top of the ashes. A powerful, sometimes uncomfortable, examination of a mother-daughter relationship and one’s connection to place and sense of self. Spanning a single year, Everything is Flammable unfolds with humor and brutal honesty. Bell’s sharp, digressive style is inimitable.

When she was a little girl, passing her summers in the heat of coastal Australia, Evie Wyld was captivated by sharks—by their innate ruthlessness, stealth, and immeasurable power—and they have never released their hold on her imagination. From the award-winning author of All the Birds, Singing, here is a deeply moving graphic memoir about family, love, loss, and the irresistible forces that, like sharks, course through life unseen, ready to emerge at any moment.

The legendary cartoonist aims his pen and paper toward his high school summer job
For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits.
Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness.
On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind.

In her evocative, genre-defying graphic memoir, Tessa Hulls tells the story of three generations of women in her family: her Chinese grandmother, Sun Yi; her mother, Rose; and herself.Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, used the proceeds to put Rose in an elite boarding school--and promptly had a mental breakdown. Rose eventually came to the United States on a scholarship and brought Sun Yi to live with her.Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi's unexamined trauma and mental illness. Vowing to escape her mother's smothering fear, Tessa left home, traveling to the farthest corners of the globe. At age thirty, it started to feel less like freedom and more like running away, so Tessa returned home to face the history that shaped her family.

A stunning illustrated journey through one young woman’s year of feelings—from the saturated highs of early summer to the gray isolation of late winter.
Enter Manjit Thapp’s Feelings, where you’ll find moods that change as quickly as the weather; the different shades of anxiety and hope that each new season brings; and the stages of joy and pain that fuel our growth. From the spark of possibility and jolt of creativity in High Summer, to the need for release from anxiety and pressure during Monsoon, to the desolation and numbness of Winter, Feelings implores us to consider the seasons of our own emotional journeys.
Articulating and validating the range of feelings we all experience, this is a book that allows us to feel connected and comforted by the experiences that make us human.

From an award-winning artist, a memoir of life with a difficult, beloved dog that will resonate with anybody who has ever had a less than perfectly behaved pet.
When Nicole Georges was sixteen she adopted Beija, a dysfunctional shar-pei/corgi mix—a troublesome combination of tiny and attack, just like teenaged Nicole herself. For the next fifteen years, Beija would be the one constant in her life. Through depression, relationships gone awry, and an unmoored young adulthood played out against the backdrop of the Portland punk scene, Beija was there, wearing her “Don’t Pet Me” bandana.
Georges’s gorgeous graphic novel Fetch chronicles their symbiotic, codependent relationship and probes what it means to care for and be responsible to another living thing—a living thing that occasionally lunges at toddlers. Nicole turns to vets, dog whisperers, and even a pet psychic for help, but it is the moments of accommodation, adaptation, and compassion that sustain them. Nicole never successfully taught Beija “sit,” but in the end, Beija taught Nicole how to stay.

A bold retelling of the life of the Their Eyes Were Watching God author
Peter Bagge has defied the expectations of the comics industry by changing gears from his famous slacker hero Buddy Bradley to documenting the life and times of historical 20th century trailblazers. If Bagge had not already had a New York Times bestseller with his biography of Margaret Sanger, his newest biography, Fire!!: The Zora Neale Hurston Story, would seem to be an unfathomable pairing of author and subject. Yet through Bagge’s skilled cartooning, he turns what could be a rote biography into a bold and dazzling graphic novel, creating a story as brilliant as the life itself.
Hurston challenged the norms of what was expected of an African American woman in early 20th century society. The fifth of eight kids from a Baptist family in Alabama, Hurston’s writing prowess blossomed at Howard University, and then Barnard College, where she was the sole black student. She arrived in NYC at the height of the Harlem Renaissance and quickly found herself surrounded by peers such as Langston Hughes and Wallace Thurman.
Hurston went on to become a noted folklorist and critically acclaimed novelist, including her most provocative work Their Eyes Were Watching God. Despite these landmark achievements, personal tragedies and shifting political winds in the midcentury rendered her almost forgotten by the end of her life. With admiration and respect, Bagge reconstructs her vivid life in resounding full-color.

Flying Couch, Amy Kurzweil’s debut, tells the stories of three unforgettable women. Amy weaves her own coming–of–age as a young Jewish artist into the narrative of her mother, a psychologist, and Bubbe, her grandmother, a World War II survivor who escaped from the Warsaw Ghetto by disguising herself as a gentile. Captivated by Bubbe’s story, Amy turns to her sketchbooks, teaching herself to draw as a way to cope with what she discovers. Entwining the voices and histories of these three wise, hilarious, and very different women, Amy creates a portrait not only of what it means to be part of a family, but also of how each generation bears the imprint of the past.
A retelling of the inherited Holocaust narrative now two generations removed, Flying Couch uses Bubbe’s real testimony to investigate the legacy of trauma, the magic of family stories, and the meaning of home. With her playful, idiosyncratic sensibility, Amy traces the way our memories and our families shape who we become. The result is this bold illustrated memoir, both an original coming–of–age story and an important entry into the literature of the Holocaust.

A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.
This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears.
Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

Glenn Gould was a Canadian pianist, a child genius who became a worldwide superstar of classical music remembered for, among others, his almost revolutionary interpretations of Bach. This graphic novel biography seeks to understand the eccentric personality behind the persona. Who is the mysterious Glenn Gould? Why did he abruptly end his career as a performing musician? Why did he become one of the very first of his peers to disappear from the public eye like J.D. Salinger? Sandrine Revel delves into the life of Gould with hand painted illustrations and the viewpoint of an adoring fan. 2017 marks a number of important anniversaries for Gould: the 85th of his birth and 35th of his death but also the 60th of his legendary tour of Russia, a first for a Western artist, and of his debuts with the worlds' leading orchestras.

A dating site match goes really wrong in this troubling, funny graphic memoir.
Things seem to be looking up when Moa Romanova ― broke, depressed, and living in a squat above an old store ― matches with a very famous celebrity on a popular hook-up site. Not only does the 53-year-old man like Moa ― he also immediately validates and motivates her in a way that not even her therapist does, even offering to help financially support her artistic ambitions. However, Moa soon discovers that there are strings attached. Drawn in a style that's de Chirico by way of the '80s, Romanova's relatable graphic memoir is a thought-provoking debut. Full-color illustrations throughout.

New Yorker cartoonist and NYT bestselling author Roz Chast, native Brooklynite-turned-suburban commuter deemed the quintessential New Yorker, has always been intensely alive to the glorious spectacle that is Manhattan--the daily clash of sidewalk racers and dawdlers, the fascinating range of dress codes, and the priceless, nutty outbursts of souls from all walks of life.
For Chast, adjusting to life outside the city was surreal (you can own trees!? you have to drive!?), but she recognized that the reverse was true for her kids. On trips into town, they would marvel at the strange visual world of Manhattan--its blackened sidewalk gum wads, "those West Side Story–things" (fire escapes)--its crazily honeycombed systems and grids.
Told through Chast's singularly zany, laugh-out-loud, touching, and true cartoons, Going into Town is part New York stories (the "overheard and overseen" of the island borough), part personal and practical guide to walking, talking, renting, and venting--an irresistible, one-of-a-kind love letter to the city.

A searingly honest graphic memoir dispatch from a community college professor who cares deeply for his students and family while also combating personal health issues from the frontlines of public education during the pandemic. Going Remote is a joint production of The Censored Press and Seven Stories Press.
With Peter Glanting's powerful illustrations, author Adam Bessie, an English professor and graphic essayist, uses the unique historical moment of the COVID-19 pandemic as a catalyst to explore the existing inequalities and student struggles that plague the public education system. This graphic memoir chronicles the reverberations from the onset of the pandemic in 2020 when students and educators left their physical classrooms for remote learning. As a professor at a community college, Bessie shows how despite these challenges, teachers work tirelessly to create a more equitable educational system by responding to mental health issues and student needs. From the Black Lives Matter protests to fielding distressed emails from students to considering the future of his own career, Going Remote also tells the personal story of Bessie's cancer diagnosis and treatment during the pandemic. A fusion of memoir, meditation, and scholarship, Going Remote is a powerful account of a crisis moment in educational history demonstrating both personal and societal changes. Includes back matter revealing the literary and theoretical touchpoints that inform Going Remote (works by Octavia Butler, Neil Postman, Jaron Lanier, and Diane Ravitch).

Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.
Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.

Saudi Arabia offers few prospects for the bright young Mohammed El-Gharani. With roots in Chad, Mohammed is treated like a second-class citizen. His access to healthcare and education are restricted; nor can he make the most of his entrepreneurial spirit. At the age of 14, having scraped together some money as a street trader, Mohammed seizes an opportunity to study in Pakistan. One Friday in Karachi, Mohammed is detained during a raid on his local mosque. After being beaten and interrogated, he is sold to the American government by the Pakistani forces as a member of Al-Qaida with links to Osama Bin Laden, but Mohammed has heard of neither. The Americans fly him first to Kandahar and then to Guantánamo Bay.
In Guantánamo Kid, Jérôme Tubiana and Alexandre Franc tell the eye-opening, heart-wrenching story of one of Guantánamo’s youngest detainees. Written in collaboration with Mohammed El-Gharani, Guantánamo Kid reflects as closely as possible his memories and experiences of life in the camp.

Discover the pioneering new comic from transgender cartoonist Erin Nations! Called by critics "funny, sincere, and just generally brilliant," Gumballs is a one-man variety show spanning graphic memoir, observational comedy, razor-sharp character studies, and so much more.
Gumballs dispenses an array of bright, candy-colored short comics about Erin's gender transition, anecdotal true tales of growing up as a triplet, and fictional stories of a socially inept lovestruck teenager named Tobias. The wide-ranging series is filled with single-page gag cartoons, visual diaries of everyday life, funny faux personal ads, and real-life horror stories of customers at his day job. Gumballs offers a variety of flavors that will surely delight anyone with a taste for candid self-reflection and observations of humanity.
Gumballs tips its hat to the classic alt-comic tradition of Eightball, Optic Nerve, and Box Office Poison, but speaks with a delightfully fresh voice for the modern age.

Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice--except for literature. He'd much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends' Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice's mother, Ann, cannot accept him, setting the course for a long estrangement.

The first graphic novel biography of the legendary Stan Lee, co-creator of many of Marvel's beloved superheroes, from Eisner-nominated comics creator Tom Scioli. Everyone knows Stan Lee: His work at the creative helm of Marvel Comics resulted in the creation of many of the superheroes we know and love today, including Spider-Man, Iron Man, Black Panther, Doctor Strange, and more. During his decades-long career at Marvel, Lee turned the comic book publisher into a cultural juggernaut that shaped and defined the burgeoning industry. Told in Scioli's inimitable, vividly cinematic illustration style, I Am Stan reveals Stan Lee's life through the medium he knew best and reveals the inner workings of the legendary creator.

A candid and philisophical memoir tackling abortion and the complex decision to reproduce.
I Know You Rider is Leslie Stein's rumination on the many complex questions surrounding the decision to reproduce. Opening in an abortion clinic, the book accompanies Stein through a year of her life, steeped in emotions she was not quite expecting while also looking far beyond her own experiences. She visits with a childhood friend who's just had twins and is trying to raise them as environmentally as possible, chats with another who's had a vasectomy to spare his wife a lifetime of birth control, and spends Christmas with her own mother, who aches for a grandchild.
Through these melodically rendered conversations with loved ones and strangers, Stein weaves one continuing conversation with herself. She presents a sometimes sweet, sometimes funny, and always powerfully empathetic account, asking what makes a life meaningful and where we find joy amid other questions--most of which have no solid answers, much like real life.
Instead of focusing on trauma, I Know You Rider is a story about unpredictability, change, and adaptability, adding a much-needed new perspective to a topic often avoided or discussed through a black and white lens. People are ever changing, contradicting themselves, and having to deal with unforeseen circumstances: Stein holds this human condition with grace and humor, as she embraces the cosmic choreography and keeps walking, open to what life blows her way.

A gorgeous graphic memoir about loss, love, and confronting grief
When Kristen Radtke was in college, the sudden death of a beloved uncle and the sight of an abandoned mining town after his funeral marked the beginning moments of a lifelong fascination with ruins and with people and places left behind. Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America’s past.
A narrative that is at once narrative and factual, historical and personal, Radtke’s stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?

In her keenly observed graphic memoir, Impossible People, celebrated cartoonist Julia Wertz chronicles her haphazard attempts at sobriety and the relentlessly challenging, surprisingly funny, and occasionally absurd cycle of addiction and recovery. Opening at the culmination of a disastrous trip to Puerto Rico, the first page of Impossible People finds Julia standing stupefied in the middle of the jungle beside a rental Jeep she's just crashed. From this moment, the story flashes back to the beginning of her five-year journey towards sobriety that includes group therapy sessions, relapses, an ill-fated relationship, terrible dates, and an unceremonious eviction from her New York City apartment. Far from the typical addiction narrative that follows an upward trajectory from rock bottom to rehab to recovery, Impossible People portrays the lesser told but more common story: That the road to recover is not always linear. With unflinching honesty, Wertz details the arduous, frustrating, and hilarious story of trying and failing and trying again.

This is the renowned cartoonist's first long-form graphic work ― a 200-page memoir that poignantly recounts his mother’s secret life, which included an affair with a cartoonist and crime novelist in the 1950s and ’60s. Invisible Ink unfolds like a detective story, alternating between past and present, as Griffith recreates the quotidian habits of suburban Levittown and the professional and cultural life of mid-century Manhattan in the 1950s and ’60s as seen through his mother’s and his own then-teenage eyes. Griffith puts the pieces together and reveals a mother he never knew.

Comedian and performer Andy Kaufman’s resume was impressive―a popular role on the beloved sitcom Taxi, a high-profile stand-up career, and a surprisingly successful stint in professional wrestling. Although he was by all accounts a sensitive and thoughtful person, he’s ironically best remembered for his various contemptible personas, which were so committed and so convincing that all but his closest family and friends were completely taken in.
Why would someone so gentle-natured and sensitive build an entire career seeking the hatred of his audience? What drives a performer to solicit that reaction? With the same nuance and sympathy with which he approached Andre the Giant in his 2014 biography, graphic novelist Box Brown's Is This Guy For Real? takes on the complex and often hilarious life of Andy Kaufman.

Cartoonist Zoe Thorogood records 6 months of her own life as it falls apart in a desperate attempt to put it back together again in the only way she knows how.
IT’S LONELY AT THE CENTRE OF THE EARTH is an intimate and metanarrative look into the life of a selfish artist who must create for her own survival.

Japan is a place of special fascination for the acclaimed international comics creator Igort, who has visited and lived there more than 20 times, and worked in the country's manga industry for more than a decade. In this masterful new book—part graphic memoir, part cultural meditation—Igort vividly recounts his personal experiences in Japan, creating comics amid the activities of everyday life, and finding inspiration everywhere: in nature, history, custom, art, and encounters with creators including animation visionary Hayao Miyazaki. With beautifully illustrated reflections on subjects from printmaking to Zen Buddhism, imperial history to the samurai code, Japanese film, literature, and manga, this is a richly rewarding book for anyone interested in Japan or comic arts practiced at the highest level.

If you work hard enough, if you want it enough, if you’re smart and talented and “good enough,” you can do anything.
Except get pregnant.
Her whole life, Lucy Knisley wanted to be a mother. But when it was finally the perfect time, conceiving turned out to be harder than anything she’d ever attempted. Fertility problems were followed by miscarriages, and her eventual successful pregnancy plagued by health issues, up to a dramatic, near-death experience during labor and delivery.
This moving, hilarious, and surprisingly informative memoir, Kid Gloves, not only follows Lucy’s personal transition into motherhood but also illustrates the history and science of reproductive health from all angles, including curious facts and inspiring (and notorious) figures in medicine and midwifery. Whether you’ve got kids, want them, or want nothing to do with them, there’s something in this graphic memoir to open your mind and heart.

Published in 1969, this Argentine graphic biography about Ernesto "Che" Guevara was an instant bestseller. Banned by a military dictatorship, and almost lost, it has never been available in English ― until now.
Life of Che is one of the most anticipated entries in Fantagraphics' The Alberto Breccia Library. Originally released as part of a graphic biography series in January 1969, it came out in Argentina only a year after Ernesto "Che" Guevara had died and reached an audience beyond comics readers. In the 1970s, the military government raided its publisher, destroying the means to reprint the book. The comic was presumed to be lost to history, until a publisher in Spain restored it in 1987. It has never been translated into English until now.
The book begins in Bolivia in 1967, then flashes back through Che's life ― his childhood, his radicalizing motorcycle trip with Alberto Granado, his taking up of arms in Guatemala, his meeting with Fidel Castro, and his subsequent military and political maneuvers, ending in a fade-out to his death. Alberto Breccia and his son, Enrique, drew Life of Che. Enrique draws the Bolivia passages in a woodcut style, while Alberto depicts the flashbacks in his trademark, expressionistic black-and-white. It is primarily set in the field and with the people. Héctor Germán Oesterheld (The Eternaut) blends his authorial voice with Che's first-person. Life of Che is imbued with a sense of immediacy, as both Che and, eventually, Oesterheld would meet their ends by a military government backed by the American CIA. As Pablo Turnes writes in his afterword, it is "the testament of someone consciously marching toward his revolutionary death."

This exceptional graphic novel recounts the spiritual odyssey of philosopher Bertrand Russell. In his agonized search for absolute truth, Russell crosses paths with legendary thinkers like Gottlob Frege, David Hilbert, and Kurt Gödel, and finds a passionate student in the great Ludwig Wittgenstein. But his most ambitious goal-to establish unshakable logical foundations of mathematics-continues to loom before him. Through love and hate, peace and war, Russell persists in the dogged mission that threatens to claim both his career and his personal happiness, finally driving him to the brink of insanity.
This story is at the same time a historical novel and an accessible explication of some of the biggest ideas of mathematics and modern philosophy. With rich characterizations and expressive, atmospheric artwork, the book spins the pursuit of these ideas into a highly satisfying tale.
Probing and ingeniously layered, the book throws light on Russell's inner struggles while setting them in the context of the timeless questions he spent his life trying to answer. At its heart, Logicomix is a story about the conflict between an ideal rationality and the unchanging, flawed fabric of reality.

A comedic memoir about fandom, fame, and other embarrassments from the life of a New York Times bestseller
What happens when a childhood hobby grows into a lifelong career? The Loneliness of the Long-Distance Cartoonist, Adrian Tomine's funniest and most revealing foray into autobiography, offers an array of unexpected answers. When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory.
Tomine illustrates the amusing absurdities of how we choose to spend our time, all the while mining his conflicted relationship with comics and comics culture. But in between chaotic book tours, disastrous interviews, and cringe-inducing interactions with other artists, life happens: he fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. A richer emotional story emerges as his memories are delineated in excruciatingly hilarious detail.
In a bold stylistic departure from his award-winning Killing and Dying, he distills his art to the loose, lively essentials of cartooning, each pen stroke economically imbued with human depth. Designed as a sketchbook complete with placeholder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.

The early work of the pioneering feminist cartoonist plus her acclaimed new story “Dream House"
Aline Kominsky-Crumb immediately made her mark in the Bay Area’s underground comix scene with unabashedly raw, dirty, unfiltered comics chronicling the thoughts and desires of a woman coming of age in the 1960s. Kominsky-Crumb didn’t worry about self-flattery. In fact, her darkest secrets and deepest insecurities were all the more fodder for groundbreaking stories. Her exaggerated comix alter ego, Bunch, is self-destructive and grotesque but crackles with the self-deprecating humor and honesty of a cartoonist confident in the story she wants to tell.
Collecting comics from the 1970s through today, Love That Bunch is shockingly prescient while still being an authentic story of its era. Kominsky-Crumb was ahead of her time in juxtaposing the contradictory nature of female sexuality with a proud, complicated feminism. Most important, she does so without apology.
One of the most famous and idiosyncratic cartoonists of our time, Kominsky-Crumb traces her steps from a Beatles-loving fangirl, an East Village groupie, an adult grappling with her childhood, and a 1980s housewife and mother, to a new thirty-page story, “Dream House,” that looks back on her childhood forty years later. Love That Bunch will be Kominsky-Crumb’s only solo-authored book in print. Originally published as a book in 1990, this new expanded edition follows her to the present, including an afterword penned by the noted comics scholar Hillary Chute.

This sketchbook chronicles the encounters, and the state of mind they create, of a mentally ill man on the run.
LOVF is the sketchbook companion of a man literally losing his mind. Homeless and broke after giving all his stuff to punk-rock heroin dealers, he ends up off his meds and on a secret quest from Portland to Brooklyn, DC, LA, San Francisco, and Seattle. Jammed with cartoons, mad schemes, psychedelic portraits, and notes from the road, LOVF is a travel journal and a mirror of the post-traumatic dreamworld its author can’t escape from, a Kerouacian meltdown of cross-hatching, spattered marker, crayons, glitter, tape, nail polish, Wite-Out, finger-painting, rain, wine, stickers, and word balloons.

Cartoonist Ellen Forney explores the relationship between “crazy” and “creative” in this graphic memoir of her bipolar disorder, woven with stories of famous bipolar artists and writers.
Shortly before her thirtieth birthday, Forney was diagnosed with bipolar disorder. Flagrantly manic and terrified that medications would cause her to lose creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity.
Searching to make sense of the popular concept of the crazy artist, she finds inspiration from the lives and work of other artists and writers who suffered from mood disorders, including Vincent van Gogh, Georgia O’Keeffe, William Styron, and Sylvia Plath. She also researches the clinical aspects of bipolar disorder, including the strengths and limitations of various treatments and medications, and what studies tell us about the conundrum of attempting to “cure” an otherwise brilliant mind.
Darkly funny and intensely personal, Forney’s memoir provides a visceral glimpse into the effects of a mood disorder on an artist’s work, as she shares her own story through bold black-and-white images and evocative prose.

Congressman John Lewis (GA-5) is an American icon, one of the key figures of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president.
Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).
March is a vivid first-hand account of John Lewis' lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement.
Book One spans John Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall.
Many years ago, John Lewis and other student activists drew inspiration from the 1958 comic book Martin Luther King and the Montgomery Story. Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations.

Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy.
Congressman John Lewis, an American icon and one ofthe key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today's world.
By the fall of 1963, the Civil Rights Movement has penetrated deep into the American consciousness, and as chairman of the Student Nonviolent Coordinating Committee, John Lewis is guiding the tip of the spear. Through relentless direct action, SNCC continues to force the nation to confront its own blatant injustice, but for every step forward, the danger grows more intense: Jim Crow strikes back through legal tricks, intimidation, violence, and death. The only hope for lasting change is to give voice to the millions of Americans silenced by voter suppression: "One Man, One Vote."
To carry out their nonviolent revolution, Lewis and an army of young activists launch a series of innovative campaigns, including the Freedom Vote, Mississippi Freedom Summer, and an all-out battle for the soul of the Democratic Party waged live on national television.
With these new struggles come new allies, new opponents, and an unpredictable new president who might be both at once. But fractures within the movement are deepening ... even as 25-year-old John Lewis prepares to risk everything in a historic showdown high above the Alabama river, in a town called Selma.

Don't miss the long-awaited sequel to the #1 bestseller March: Book One!
Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, continues his award-winning graphic novel trilogy with co-writer Andrew Aydin and artist Nate Powell, inspired by a 1950s comic book that helped prepare his own generation to join the struggle. Now, March brings the lessons of history to vivid life for a new generation, urgently relevant for today’s world.
After the success of the Nashville sit-in campaign, John Lewis is more committed than ever to changing the world through nonviolence — but as he and his fellow Freedom Riders board a bus into the vicious heart of the deep south, they will be tested like never before. Faced with beatings, police brutality, imprisonment, arson, and even murder, the movement’s young activists place their lives on the line while internal conflicts threaten to tear them apart.
But their courage will attract the notice of powerful allies, from Martin Luther King, Jr. to Attorney General Robert F. Kennedy... and once Lewis is elected chairman of the Student Nonviolent Coordinating Committee, this 23-year-old will be thrust into the national spotlight, becoming one of the “Big Six” leaders of the civil rights movement and a central figure in the landmark 1963 March on Washington for Jobs and Freedom.

Marriage doesn’t define a relationship. Unless you want it to.
In Marry Me a Little, Rob Kirby recounts his experience of marrying his longtime partner, John, just after gay marriage was legalized in Minnesota in 2013, and two years before the Supreme Court decision in Obergefell v. Hodges made gay marriage the law of the land. This is a personal story―about Rob’s ambivalence (if not antipathy) toward the institution of marriage, his loving relationship with John, and the life that they share together―set against the historical and political backdrop of shifting attitudes toward gay rights and the institution of marriage. With humor and candor, Rob relates how he and John navigated this changing landscape, how they planned and celebrated their wedding, and how they and others in the gay community are now facing the very real possibility of setbacks to marriage equality.
Heartwarming and humorous, Marry Me a Little is both a celebration of a romantic partnership between two men and a personal account of a momentous and historic moment in the fight for gay rights.

"I am Marzi, born in 1979, ten years before the end of communism in Poland. My father works at a factory, my mother at a dairy. Social problems are at their height. Empty stores are our daily bread. I'm scared of spiders, and the world of adults doesn't seem like a walk in the park." Told from a young girl's perspective, Marzena Sowa's memoir of a childhood shaped by politics feels remarkably fresh and immediate. Structured as a series of vignettes that build on one another, MARZI is a compelling and powerful coming-of-age story that portrays the harsh realities of life behind the Iron Curtain while maintaining the everyday wonders and curiosity of childhood. With open and engaging art by Sylvain Savoia, MARZI is a moving and resonant story of an ordinary girl in turbulent, changing times.

Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols--leaving widows and orphans in their wake--the British (according to supporters of boxing) tended to settle their disputes with their fists.
Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society toward its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious.

An extraordinary and inventive graphic biography, Steffen Kverneland's Munch explores the relationships and obsessions that drove the artist behind 'The Scream'. Using text drawn from the writings of Edvard Munch and his contemporaries, this extensively researched and beautifully drawn graphic novel debunks the familiar myth of the half-mad expressionist painter – anguished, starving and ill-treated – to reveal the artist's neglected sense of humour and optimism. Born out of a life-long fascination with all things Munch, Kverneland's award-winning seven-year project is the funniest and most entertaining portrait yet of a complex man and a pioneering artist.

A vibrant graphic adaptation of the classic science memoir
Regarded as one of the world’s preeminent biologists, Edward O. Wilson spent his boyhood exploring the forests and swamps of south Alabama and the Florida panhandle, collecting snakes, butterflies, and ants—the latter to become his lifelong specialty. His memoir Naturalist, called “one of the finest scientific memoirs ever written” by the Los Angeles Times, is an inspiring account of Wilson’s growth as a scientist and the evolution of the fields he helped define. This graphic edition, adapted by New York Times bestselling comics writer Jim Ottaviani and illustrated by C.M.Butzer, brings Wilson’s childhood and celebrated career to life through dynamic full-color illustrations and Wilson’s own lyric writing.
In this adaptation of Naturalist, vivid illustrations draw readers in to Wilson’s lifelong quest to explore and protect the natural world. His success began not with an elite education but an insatiable curiosity about Earth’s wild creatures, and this new edition of Naturalist makes Wilson’s work accessible for anyone who shares his passion. On every page, striking art adds immediacy and highlights the warmth and sense of humor that sets Wilson’s writing apart.
Naturalist was written as an invitation—a reminder that curiosity is vital and scientific exploration is open to all of us. Each dynamic frame of this graphic adaptation deepens Wilson’s message, renewing his call to discover and celebrate the little things of the world.

Nobody's Foolfollows the story of Schlitzie's long career-from Coney Island and the Ringling Bros. Circus to small-town carnivals and big-city sideshows-which is one of legend. Today, Schlitzie is most well-known for his appearance in the cult classic Freaks. The making of Freaks and Schlitzie's role in the film is a centerpiece of the book. In researching Schlitzie's life (1901-1971), Griffith has tracked down primary sources and archives throughout the country, including conducting interviews with those who worked with him and had intimate knowledge of his personality, his likes and dislikes, how he responded to being a sideshow "freak," and much more.

Noah Van Sciver is haunted by the house at 133 ____ Street, or as his brothers rechristened it “One Dirty Tree.” This sprawling dilapidated New Jersey house was his first home and the site of formative experiences. Growing up in a big, poor, Mormon family―surrounded by comic books, eight siblings, bathtubs full of dirty dishes―Noah’s childhood exerts a powerful force on his present-day relationship.
Drawn in his inimitable style, written with wry wit and humor, One Dirty Tree is another reason why Noah Van Sciver is one of the best cartoonists of his generation.

The firsthand comic strip account of the labor struggle at New York City's legendary Strand bookstore in the summer of 2012. Told by Greg Farrell-an employee of the store who interviewed numerous other staff members-the book examines the motives and actions of those involved, including the management, the staff, the union local, and the people of New York City. Through interstitial comic portraits, Farrell gives voice to his comrades, who often share a nuance of the story that would have otherwise gone overlooked, and provide a depth of opinion and fairness.

A visually arresting graphic memoir about a young artist struggling against what’s expected of her as a woman, and learning to accept her true self, from an acclaimed New Yorker cartoonist.
In this achingly beautiful graphic memoir, Liana Finck goes in search of that thing she has lost—her shadow, she calls it, but one might also think of it as the “otherness” or “strangeness” that has defined her since birth, that part of her that has always made her feel as though she is living in exile from the world. In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they’re embarrassing, or inconvenient, or just plain weird—and at what cost?
Passing for Human is what Finck calls “a neurological coming-of-age story”—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self.
Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human.

In Poetry is Useless, Anders Nilsen redefines the sketchbook format, intermingling elegant, densely detailed renderings of mythical animals, short comics drawn in ink, meditations on religion, and abstract shapes and patterns. Page after page gives way under Nilsen's deft hatching and perfectly placed pen strokes, revealing his intellectual curiosity and wry outlook on life's many surprises.
Stick people debate the dubious merits of economics. Immaculately stippled circles become looser and looser, as craters appear on their surface. A series of portraits capture the backs of friends' heads. For ten or twenty pages at a time, Poetry is Useless becomes a travel diary, in which Nilsen shares anecdotes about his voyages in Europe and North America. A trip to Colombia for a comics festival is recounted in carefully drawn city streets and sketches made in cafes. Poetry is Useless reveals seven years of Nilsen's life and musings: beginning in 2007, it covers a substantial period of his comics career to date, and includes visual reference to his books, such as Dogs & Water, Rage of Poseidon, and the New York Times Notable Book Big Questions. This expansive sketchbook-as-graphic-novel is exquisitely packaged with appendices and a foreword from Anders Nilsen himself.

Poppies of Iraq is Brigitte Findakly's nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein's state control, and her family's history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one's homeland and still feel intimately connected yet ultimately estranged.

A lyrical exploration of the city and memory, as drawn by a Vice cartoonist
Leslie Stein takes us on a sinuous urban stroll divorced from destination, glimpsing New York City through her open eyes. While she is closing up a bar late at night, she is also an adolescent at a rave in the mountains, an adult grappling with her grandfather’s fading memory or at one of her first waitressing jobs. Stein is a master storyteller, an urban explorer, and a loyal guide through dark days and simple, blissful encounters. Stein’s curiosity about and generosity toward the world around her come through powerfully: each colorful story flows with vivid watercolors and delicate ink lines. Here, an autobiography is built through memories and moments tied together by loose lines, evoking a beautiful dreamlike yet endlessly relatable glimpse into the world of a thirty-something woman carving out a life for herself, one step at a time.
Known for her acclaimed Eye of the Majestic Creature series, collected here are Stein’s serialized Vice.com comics which have become a staple for the site, showcasing her storytelling abilities with a freer style. With an introduction and new material, Present will be a deluxe die-cut hardcover that is a meditation on memory. Stein asks us to take a moment to be here now, while acknowledging the other places and people we always carry with us.

The first book to appear in English by the acclaimed Belgian artist Dominique Goblet.
In a series of dazzling fragments—skipping through time, and from raw, slashing color to delicate black-and-white—Dominique Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents.
The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma—a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics.

An unexpected and poignant debut graphic memoir about a close-knit family approaching loss, and the wonder and joy they create along the way.
During Will Betke-Brunswick’s sophomore year of college, their beloved mother, Elizabeth, is diagnosed with an aggressive form of cancer. They only have ten more months together, which Will documents in evocative two-color illustrations. But as we follow Will and their mom through chemo and hospital visits, their time together is buoyed by laughter, jigsaw puzzles, modern art, and vegan BLTs. In a delightful twist, Will portrays their family as penguins, and their friends are cast as a menagerie of birds. In between therapy and bedside chats, they navigate uniquely human challenges, as Will prepares for math exams, comes out as genderqueer, and negotiates familial tension.
A Pros and Cons List for Strong Feelings is an act of loving others and loving oneself, offering a story of coming-of-age, illness, death, and life that announces the arrival of a talented storyteller in Will Betke-Brunswick. At its heart, Will’s story is a celebration of a mother-child relationship filled with unconditional devotion, humor, care, and openness.

From the author of My Brain Is Hanging Upside Down, a new graphic memoir brimming with black humor, which explores the ultimate irony: the author's addiction to 12-Step programs.
David Heatley had an unquestionably troubled and eccentric childhood: father a sexually repressed alcoholic, mother an overworked compulsive overeater. Then David's parents enter the world of 12-step programs and find a sense of support and community. It seems to help. David, meanwhile, grows up struggling with his own troublesome sexual urges and seeking some way to make sense of it all. Eventually he starts attending meetings too. Alcoholics Anonymous. Overeaters Anonymous. Debtors Anonymous. Sex and Love Addicts Anonymous. More and more meetings. Meetings for issues he doesn't have.
With stark, sharply drawn art and unflinching honesty, David Heatley explores the strange and touching relationships he develops, and the truths about himself and his family he is forced to confront, while "working" an ever-increasing number of programs. The result is a complicated, unsettling, and hilarious journey—of far more than 12 steps.

A graphic novel memoir recounting one parent's unique and wrenching journey caring for a child with a terminal diagnosis
When Rick and Emily's infant son Ronan is diagnosed with Tay-Sachs, an incurable neurological disorder, they are faced with the practical and emotional hurdles of parenting and loving their son—despite the shadow of inevitable loss. Rick Louis narrates this original graphic memoir, with illustrator Lara Antal translating the space that Ronan occupies before, during, and after his life, using flights of fancy and imagination to express the bizarre, heartbreaking, and sometimes even silly reality of human beings suddenly trapped in an impossible situation.
Ronan and the Endless Sea of Stars is a story of warmth and of heartbreak—about finding joy in life, no matter how long or short that life might be.

ROSALIE LIGHTNING is Eisner-nominated cartoonist Tom Hart's #1 New York Times bestselling touching and beautiful graphic memoir about the untimely death of his young daughter, Rosalie. His heart-breaking and emotional illustrations strike readers to the core, and take them along his family's journey through loss. Hart uses the graphic form to articulate his and his wife's on-going search for meaning in the aftermath of Rosalie's death, exploring themes of grief, hopelessness, rebirth, and eventually finding hope again.
Hart creatively portrays the solace he discovers in nature, philosophy, great works of literature, and art across all mediums in this expressively honest and loving tribute to his baby girl. Rosalie Lighting is a graphic masterpiece chronicling a father's undying love.

First you march, then you run. From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One.
“In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John Lewis
The sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign.
To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.

From Nate Powell, the National Book Award–winning artist of March, a collection of graphic nonfiction essays about living in a new era of necessary protest
In seven interwoven comics essays, author and graphic novelist Nate Powell addresses living in an era of what he calls “necessary protest.” Save It for Later: Promises, Parenthood, and the Urgency of Protest is Powell’s reflection on witnessing the collapse of discourse in real time while drawing the award-winning trilogy March, written by Congressman John Lewis and Andrew Aydin, this generation’s preeminent historical account of nonviolent revolution in the civil rights movement. Powell highlights both the danger of normalized paramilitary presence symbols in consumer pop culture, and the roles we play individually as we interact with our communities, families, and society at large.
Each essay tracks Powell’s journey from the night of the election—promising his four-year-old daughter that Trump will never win, to the reality of the authoritarian presidency, protesting the administration’s policies, and navigating the complications of teaching his children how to raise their own voices in a world that is becoming increasingly dangerous and more and more polarized. While six of the seven essays are new, unpublished work, Powell has also included “About Face,” a comics essay first published by Popula Online that swiftly went viral and inspired him to expand his work on Save It for Later. The seventh and final essay will contextualize the myriad events of 2020 with the previous four years—from the COVID-19 pandemic to global protests in the wake of George Floyd’s murder to the 2020 presidential election itself—highlighting both the consistencies and inversions of widely shared experiences and observations amidst a massive social upheaval.
As Powell moves between subjective and objective experiences raising his children—depicted in their childhood innocence as imaginary anthropomorphic animals—he reveals the electrifying sense of trust and connection with neighbors and strangers in protest. He also explores how to equip young people with tools to best make their own noise as they grow up and help shape the direction and future of this country.

From the author of Fun Home, a profoundly affecting graphic memoir of Bechdel's lifelong love affair with exercise, set against a hilarious chronicle of fitness fads in our times
Comics and cultural superstar Alison Bechdel delivers a deeply layered story of her fascination, from childhood to adulthood, with every fitness craze to come down the pike: from Jack LaLanne in the 60s ("Outlandish jumpsuit! Cantaloupe-sized guns!") to the existential oddness of present-day spin class. Readers will see their athletic or semi-active pasts flash before their eyes through an ever-evolving panoply of running shoes, bicycles, skis, and sundry other gear. But the more Bechdel tries to improve herself, the more her self appears to be the thing in her way. She turns for enlightenment to Eastern philosophers and literary figures, including Beat writer Jack Kerouac, whose search for self-transcendence in the great outdoors appears in moving conversation with the author’s own. This gifted artist and not-getting-any-younger exerciser comes to a soulful conclusion. The secret to superhuman strength lies not in six-pack abs, but in something much less clearly defined: facing her own non-transcendent but all-important interdependence with others.
A heartrendingly comic chronicle for our times.

In this multigenerational graphic memoir, underground cartoonist Carol Tyler examines how WWII traumatized the Greatest Generation and those that followed.
Soldier’s Heart is a sophisticated graphic masterpiece about the damaging effects of war on soldiers and the toll it can take on families.
Many soldiers come back from war and never talk about it -- especially those from the Greatest Generation. Thus was the case with S/Sgt. Charles W. Tyler, who late in life began to open up to his daughter Carol. By looking at him, you would never know that he was wounded in combat, but as she states at the beginning: “Not all scars are visible.”
The narrative unfolds over 364 pages of masterfully crafted drawings. Stunning ink and color washes weave through the decades: Tyler examines the past in sepia, confronts reality in stark black & white and uses rich color to convey the moods and fragility of the present. She overlays her father’s memories with her own, while struggling to understand her troubled life: a failed marriage, a teenage daughter on the edge, and an elderly father and mother. Literate, emotionally engaging and historically accurate, Soldier’s Heart is a magnificent achievement.

In 2010, Lucy and her long-term boyfriend John broke up. Three long, lonely years later, John returned to New York, walked into Lucy's apartment, and proposed.
This is not that story. It is the story of what came after: The Wedding.
DIY maven Lucy Knisley was fascinated by American wedding culture . . . but also sort of horrified by it. So she set out to plan and execute the adorable DIY wedding to end all adorable DIY weddings. And she succeeded. This graphic novel, Something New--clocking in at almost 300 pages of humor, despair, and eternal love--is the story of how Lucy built a barn, invented a whole new kind of photo booth, and managed to turn an outdoor wedding on a rainy day into a joyous (though muddy) triumph.

An intimate graphic memoir by a New York Times–bestselling writer about his semester abroad in Beirut as he grows close to a crowd of mostly LGBTQ students, and suffers a mental breakdown while the city erupts into revolution.
In 2005 Andy Warner travelled to Lebanon to study literature in Beirut, one of the world’s most cosmopolitan and storied cities. Twenty-one years old and recently broken up from his girlfriend, Warner feels his life is both intense and directionless. Immersing himself in the vibrant and diverse city, he quickly befriends a group of LGBT students, many of whom are ex-pats straddling different cultures and embracing the freedoms of the multicultural city. Warner and his friends party, do drugs, and hook up, even as violence breaks out in the city―the scars of a fifteen-year civil war reopening with a series of political assassinations and bombings. As the city descends into chaos and violence, Warner feels his grasp on reality slowly begin to slip as he confronts traumas in his past and anxiety over his future.
Illustrated in beautiful and intricate detail, Spring Rain is an absorbing and poignant graphic memoir of a young man’s attempt to gain control over his life as well as a portrait of a city and a nation’s violent struggle to define its future.

David Small, a best-selling and highly regarded children's book illustrator, comes forward with this unflinching graphic memoir. Remarkable and intensely dramatic, Stitches tells the story of a fourteen-year-old boy who awakes one day from a supposedly harmless operation to discover that he has been transformed into a virtual mute―a vocal cord removed, his throat slashed and stitched together like a bloody boot. From horror to hope, Small proceeds to graphically portray an almost unbelievable descent into adolescent hell and the difficult road to physical, emotional, and artistic recovery.

This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict between North and South intensifies, so does turmoil within Marco's family, as his mother struggles to grapple with bipolar disorder.
Visually powerful and emotionally potent, Such a Lovely Little War is both a large-scale and intimate study of the Vietnam war as seen through the eyes of the Vietnamese: a turbulent national history interwined with an equally traumatic familial one.

A highly personal collection documenting the early months of artist Julia Kaye’s gender transition.
Instead of a traditional written diary, Julia Kaye has always turned to art as a means of self-reflection. So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone.
Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be.

Aneurin (Nye) Wright hasn’t been on good terms with his father for a long time. When he receives a call on his birthday from his father, Neil, he isn’t quite sure how to react. Neil has been diagnosed with emphysema and is “certified for hospice,” a six-month death sentence. He needs help. Newly unemployed, Nye is free to move into the trailer park where his father lives and assume the role of caregiver. Neither Nye nor Neil is particularly enthralled by the situation.
Things to Do in a Retirement Home Trailer Park documents Nye’s reconciliation with his father as he cares for him in hospice. Their daily schedule of pill counting and medical checks unfolds in an extraordinary world where the protagonist is a minotaur and his father a rhinoceros, social workers are sea turtles, and mobile homes move atop gigantic elephants. Curious neighbors and medical and social care workers―whether man or beast―become their friends, and the family comes together once more. Nye and his father become more intimate as they reveal more and more of their emotions to each other. As the old man battles against emphysema, his shortness of breath becomes more evident until his speech bubbles, previously charged with pithy comment, are mostly filled with pauses. Graphic artist Aneurin Wright’s unforgettable debut is a universal tale of love and loss told in a wholly original way.

A boldly drawn, unforgettable memoir about trauma and the barriers to gender affirming health care
In the winter of 2004, a shy woman named Emma sits in Toby’s office. She wants to share this wonderful new book she’s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these other two people. And then Toby asks about her childhood . . .
As the story unfolds, we discover clues to Emma’s troubled past and how and why these other two people may have come into existence. As Toby juggles treating three separate people, each with their own unique personalities and memories, he begins to wonder if Emma is merely acting out to get attention, or if she actually has Dissociative Identity Disorder. Is she just a troubled woman in need of help? And is “the third person” in her brain protecting her, or derailing her chances of ever finding peace?
The Third Person is a riveting memoir from newcomer Emma Grove. Drawn in thick, emotive lines, with the refined style of a comics vet, Grove has created a singular, gripping depiction of the intersection of identities and trauma. The Third Person is a testament to the importance of having the space to heal and live authentically.

Before Navied Mahdavian moved with his wife and dog in November of 2016 from San Francisco to an off-the-grid cabin in rural Idaho, he had never fished, gardened, hiked, hunted, or lived in a snowy place. But there, he could own land, realize his dream of being an artist, and start a family--the Millennial dream. Over the next three years, Mahdavian leaned into the wonders of the natural Idaho landscape and found himself adjusting to and enjoying a slower pace of living. But beyond the boundaries of his six acres, he was confronted with the realities of America's political shifts and forced to confront the question: Do I belong here? Mahdavian's beautifully written and unflinchingly honest graphic memoir charts his growth and struggles as an artist, citizen, and new father.

When the gentler pace and stillness of the countryside replace the roar of the city, but your editor keeps calling
With gorgeously detailed yet minimal art, cartoonist Yeon-Sik Hong explores his move with his wife to a small house atop a rural mountain, replacing the high-rent hubbub of Seoul with the quiet murmur of the country. With their dog, cats, and chickens by their side, the simple life and isolation they so desperately craved proves to present new anxieties. Hong paints a beautiful portrait of the Korean countryside, changing seasons, and the universal relationships humans have with each other as well as nature, both of which are sometimes frustrating but always rewarding.
Uncomfortably Happily is translated by American cartoonist Hellen Jo from the acclaimed Manhwa Today award-winning Korean edition.

Visit Gabrielle Bell's blog for comics and more.
The Voyeurs is a real-time memoir of a turbulent five years in the life of renowned cartoonist, diarist, and filmmaker Gabrielle Bell. It collects episodes from her award-winning series Lucky, in which she travels to Tokyo, Paris, the South of France, and all over the United States, but remains anchored by her beloved Brooklyn, where sidekick Tony provides ongoing insight, offbeat humor, and enduring friendship.

An American artist witnesses the Quebec spring 2012 student strike on the streets of Montreal. The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.

Peter Bagge's Woman Rebel: The Margaret Sanger Story is a dazzling and accessible biography of the social and political maverick, jam-packed with fact and fun. In his signature cartoony, rubbery style, Bagge presents the life of the birth-control activist, educator, nurse, mother, and protofeminist from her birth in the late nineteenth century to her death after the invention of the birth control pill. Balancing humor and respect, Bagge makes Sanger whole and human, showing how her flaws fueled her fiery activism just as much as her compassionate nature did. Sanger's life takes on a whole new vivacity as Bagge creates a fast-paced portrait of a trailblazer whose legacy as the founder of Planned Parenthood is still incredibly relevant, important, and inspiring.

From "America's illustrator in chief" (Fast Company), a stunning graphic memoir of a childhood in Cuba, coming to America on the Mariel boatlift, and a defense of democracy, here and there. Hailed for his iconic art on the cover of Time and on jumbotrons around the world, Edel Rodriguez is among the most prominent political artists of our age. Now for the first time, he draws his own life, revisiting his childhood in Cuba and his family's passage on the infamous Mariel boatlift. When Edel was nine, Fidel Castro announced his surprising decision to let 125,000 traitors of the revolution, or "worms," leave the country. The faltering economy and Edel's family's vocal discomfort with government surveillance had made their daily lives on a farm outside Havana precarious, and they secretly planned to leave. But before that happened, a dozen soldiers confiscated their home and property and imprisoned them in a detention center near the port of Mariel, where they were held with dissidents and criminals before being marched to a flotilla that miraculously deposited them, overnight, in Florida. Through vivid, stirring art, Worm tells a story of a boyhood in the midst of the Cold War, a family's displacement in exile, and their tenacious longing for those they left behind. It also recounts the coming-of-age of an artist and activist, who, witnessing American's turn from democracy to extremism, struggles to differentiate his adoptive country from the dictatorship he fled. Confronting questions of patriotism and the liminal nature of belonging, Edel Rodriguez ultimately celebrates the immigrants, maligned and overlooked, who guard and invigorate American freedom.

One family’s quest to survive the devastation of the Khmer Rouge
Year of the Rabbit tells the true story of one family’s desperate struggle to survive the murderous reign of the Khmer Rouge in Cambodia. In 1975, the Khmer Rouge seized power in the capital city of Phnom Penh. Immediately after declaring victory in the war, they set about evacuating the country’s major cities with the brutal ruthlessness and disregard for humanity that characterized the regime ultimately responsible for the deaths of one million citizens.
Cartoonist Tian Veasna was born just three days after the Khmer Rouge takeover, as his family set forth on the chaotic mass exodus from Phnom Penh. Year of the Rabbit is based on firsthand accounts, all told from the perspective of his parents and other close relatives. Stripped of any money or material possessions, Veasna’s family found themselves exiled to the barren countryside along with thousands of others, where food was scarce and brutal violence a constant threat.
Year of the Rabbit shows the reality of life in the work camps, where Veasna’s family bartered for goods, where children were instructed to spy on their parents, and where reading was proof positive of being a class traitor. Constantly on the edge of annihilation, they realized there was only one choice―they had to escape Cambodia and become refugees. Veasna has created a harrowing, deeply personal account of one of the twentieth century’s greatest tragedies.

As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career.