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May We Be Forgiven Discussion Guide: Home
Reviews, interviews, discussion questions, book suggestions and more.
Articles, Interviews, and Reviews
- Man of the HouseNew York Times Book Review,
By Garth Risk Hallberg
Published: November 2, 2012 - 'May We Be Forgiven': A Story Of Second ChancesNPR, by Maureen Corrigan, October 11, 2012
- Goodreads ReviewsMay We Be Forgiven
- May We Be Forgiven: An Interview with A.M. HomesTin House Blog, by Melissa Chadburn, October 22, 2012
- Additional Reviews and InterviewsFrom www.amhomesbooks.com
Additional Titles by A.M. Homes
The Mistress's Daughter
ISBN: 9780670038381This Book Will Save Your Life
ISBN: 9780670034932Things You Should Know
ISBN: 9780688167127Los Angeles: people, places, and the castle on the hill
ISBN: 9780792265368Music for Torching
ISBN: 9780688167110The End of Alice
ISBN: 9780684815282In a Country of Mothers
ISBN: 9780679415688Jack
ISBN: 9780679732211The Safety of Objects
ISBN: 9780393028843
Interviews with A.M. Homes
Discussion Questions
(From the publisher)
1. An overarching theme of this novel is the concept of the institution, be it a mental hospital, a marriage, a family, or academia. As the institutions in this novel are re–evaluated—forced upon some, rejected or clung to by others—does your view of the institution change? Are these places/relationships safe havens? Prisons? How does each character experience each institution differently? 2. Religion and ritual are interwoven as important aspects in the Silvers’ lives. Traditional religion seems to cause stress for Harold, and yet he takes great comfort in his daily rituals. What are some of these rituals? Are they healthy or signs of addiction? 3. What is the difference between tradition and religion in this novel? 4. There is a lot of physical comedy in this story, ranging from slapstick to the scatological. Harold takes the majority of the pratfalls, sometimes delivering self–inflicted blows. How do these moments symbolize Harold’s internal loss of control? Do they make him seem more cartoonish or more human? 5. For which of the Silver brothers is President Nixon used as a foil? 6. Illness is a consistent theme throughout the book, encompassing mental illness, a stroke, sex addiction, and more. Do any of the characters in this novel make a full recovery? 7. After the tragic incidents at the start of the novel, Harold is left to assemble a life from what’s been left to him. He steps in as guardian for his brother’s children and later as primary caretaker for an elderly couple. Through this process of assembling (or reassembling) a family he can truly call his own, Harold finds something close to contentment. What kind of case doe this book make for or against the traditional nuclear family vs. the modern blended family? 8. Harold exhibits a general mistrust of modern technology. He is frustrated by his students using their cell phones during class and downloading their final papers online. His foray into online dating goes terribly awry. And yet he learns to Skype with Nate, transfers money to a South African village with the click of a button, sends an iPad to his brother in prison, and manages multiple relationships via text message. Does Harold’s skepticism of technology stem from his immersion in Nixon’s era and the former president’s unfortunate turn with technology? Is it a generational thing? How does technology help and/or hinder Harold’s journey throughout the novel? 9. There are a number of violent and disturbing crimes committed in this story: murder, sexual abuse, child abuse, arms dealing, theft. Is any justice brought to the perpetrators of these crimes? Does any criminal reform take place? 10. Communities play a large role in this novel: online communities, Nate’s and Ashley’s boarding schools, the town Harold lives in, his mother’s nursing home, The Lodge where George is undergoing treatment. How is the idea of fitting into one’s community explored throughout the novel? In contrast, how is the concept of the foreigner examined?Reserve a copy
May We Be Forgiven by
ISBN: 9780670025480Winner of the 2013 Women's Prize for Fiction -- A darkly comic novel of twenty-first-century domestic life and the possibility of personal transformation.
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