New on the Shelves at Albert Wisner Public Library: Bestsellers

Jess Metcalf is perfectly content with her quiet, predictable life. But when her beloved grandmother passes away and she loses her job at the local library, Jess' life is turned upside down. Determined to pick up the pieces, Jess decides it's time for a new beginning. Unable to part with her grandmother's cherished books, she packs them all up and moves to a tiny cottage in the English countryside. To her surprise, Jess discovers that she's now the owner of an old red phone box that was left on the property. Missing her job at the local library, Jess decides to give back to her new community--using her grandmother's collection to turn the ordinary phone box into the littlest library in England. It's not long before the books are borrowed and begin to work their literary magic--bringing the villagers together... and managing to draw Jess' grumpy but handsome neighbor out of his shell. Maybe it's finally time for Jess to follow her heart, let go of her old life, and make the village her home? But will she be able to take the leap?

Startling stories center the bodies, memories, myths, and relationships of Asian American women: In "Auntland," a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters "Dog." In "The Chorus of Dead Cousins," ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser. In "Xífù," a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In "Mariela," two girls explore one another's bodies for the first time in the belly of a plastic shark, while in "Virginia Slims," a woman from a cigarette ad comes to life. And in "Resident Aliens," a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets. With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.

Truth is found between the stories we're fed and the stories we hunger for. Out on the Yorkshire Moors lives a secret line of people for whom books are food, and who retain all of a book's content after eating it. To them, spy novels are a peppery snack; romance novels are sweet and delicious. Eating a map can help them remember destinations, and children, when they misbehave, are forced to eat dry, musty pages from dictionaries. Devon is part of The Family, an old and reclusive clan of book eaters. Her brothers grow up feasting on stories of valor and adventure, and Devon--like all other book eater women--is raised on a carefully curated diet of fairy tales and cautionary stories. But real life doesn't always come with happy endings, as Devon learns when her son is born with a rare and darker kind of hunger--not for books, but for human minds.

The nameless narrator is a gay man who moved to Florida to look after his aging parents--during the height of the AIDS epidemic; with gallows humor, he chronicles the indignities of growing old in a small town. At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl's health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking. The Kingdom of Sand is an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

An adrenaline-fueled story of lives upended and transformed by an unprecedented catastrophe; To all appearances, the Larsen-Hall family has everything: healthy children, a stable marriage, a lucrative career for Brantley, and the means for Daphne to pursue her art full-time. Their deluxe new Miami life has just clicked into place when Luna--the world's first category 6 hurricane--upends everything they have taken for granted. When the storm makes landfall, it triggers a descent of another sort. Their home destroyed, two of its members missing, and finances abruptly cut off, the family finds everything they assumed about their lives now up for grabs. Swept into a mass rush of evacuees from across the American South, they are transported hundreds of miles to a FEMA megashelter where their new community includes an insurance-agent-turned-drug dealer, a group of vulnerable children, and a dedicated relief worker trying to keep the peace. Will "normal" ever return? A suspenseful read plotted on a vast national tapestry, The Displacements thrillingly explores what happens when privilege is lost and resilience is tested in a swiftly changing world.

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula - the only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol - an outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor's labor, destined to blindly obey their creator and remain in the shadows - a motley group of part human, part animal monstrosities. All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau's patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.

When famed chef Augustus Beauvais dies, he leaves behind a celebrated reputation--and four women grappling with loss, anger, and pain. Meadow, the ex-wife with whom Augustus built an empire --and a family--still holds a place for him in her heart, even as she continues to struggle with his infidelities. More unforgiving is Maya, his estranged daughter, who's recently out of rehab but finally ready to reclaim her life. Norah, his latest girlfriend, sidelined her own career for unexpected love and a life of luxury, both of which are now gone with Augustus. And then there's Rory, Meadow's daughter, the voice of calm and reason in a chorus of discontent. As Meadow, Maya, Norah, and Rory are flung together by tragedy, grief, and secrets yet to be revealed, they must accept--or turn away from--the legacy of great intentions and bad decisions Augustus left them; and when the circumstances around his death are called into question, their conflicted feelings become even more complicated. But moving forward is the only choice they have, and to do so, they'll need to rely on family, friendship, and inner strength.

Gran Toya: Born in West Africa, Abdaraya Toya was one of the legendary minos--women called "Dahomeyan Amazons" by the Europeans--who were specially chosen female warriors consecrated to the King of Dahomey. Betrayed by an enemy, kidnapped, and sold into slavery, Toya wound up in the French colony of Saint Domingue, where she became a force to be reckoned with on its sugar plantations. Among the motherless children she helped raise was a man who would become the revolutionary Jean-Jacques Dessalines. When the enslaved people rose up, Toya was at the forefront of the rebellion. Marie-Claire Bonheur: A free woman of color who was raised in an air of privilege and security because of her wealthy white grandfather. With a passion for charitable work, she grew up looking for ways to help those oppressed. Falling in love with Jean-Jacques Dessalines, an enslaved man, was never the plan, yet their paths continued to cross; and despite a marriage of convenience to a Frenchman, she and Dessalines had several children. When war breaks out on Saint Domingue, Marie-Claire and Toya finally meet, and despite their deep differences, they both play pivotal roles in the revolution that will eventually lead to full independence for Haiti and its people.

One night, Elango has a dream that consumes him, driving him to give it shape. The potter is determined to create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind, and once it's finished, he does not know where his creation will belong. The astral, indefinable force driving Elango toward forbidden love and creation has unleashed other currents. He unexpectedly falls into a complicated relationship with a neighborhood girl who is beginning her bewildering journey into adulthood. He is suddenly adopted by a lost dog who steals his heart. While Elango's life is changing, the community around him is as well, but it is a transformation driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife's edge and the consequences of daring to dream are cataclysmic. Moving between India and England, The Earthspinner reflects the many ways in which the East and the West's paths converge and diverge in constant conflict.

The year is 500 AD. Sisters Isla and Blue live in the shadows of the Ghost City, the abandoned ruins of the once-glorious mile-wide Roman settlement Londinium on the bank of the River Thames. But the small island they call home is also a place of exile for Isla, Blue, and their father, a legendary blacksmith accused of using dark magic to make his firetongue swords--formidable blades that cannot be broken--and cast out from the community. When he dies suddenly, the sisters find themselves facing enslavement by the local warlord and his cruel, power-hungry son. Their only option is to escape to the Ghost City, where they discover an underworld of rebel women living secretly amid the ruins. But if Isla and Blue are to survive the men who hunt them, and protect their new community, they will need to use all their skill and ingenuity--as well as the magic of their foremothers--to fight back. With an intimate yet cinematic scope, Dark Earth re-creates an ancient world steeped in myth and folklore, and introduces us to unforgettable women who come to vibrant life on the page. A heart-in-mouth adventure full of moments of tenderness, this is a beautiful, profound novel about oppression and power that puts a female perspective on a historical period dominated by men's stories.

In her highly anticipated debut novel, Mecca Jamilah Sullivan explores the perils--and undeniable beauty--of insatiable longing. Growing up in a rapidly changing Harlem, eight-year-old Malaya hates when her mother drags her to Weight Watchers meetings; she'd rather paint alone in her bedroom or enjoy forbidden street foods with her father. For Malaya, the pressures of her predominantly white Upper East Side prep school are relentless, as are the expectations passed down from her painfully proper mother and sharp-tongued grandmother. As she comes of age in the 1990s, she finds solace in the music of Biggie Smalls and Aaliyah, but her weight continues to climb--until a family tragedy forces her to face the source of her hunger, ultimately shattering her inherited stigmas surrounding women's bodies, and embracing her own desire. Written with vibrant lyricism shot through with tenderness, Big Girl announces Sullivan as an urgent and vital voice in contemporary fiction.

Carla is stuck. In her twenties and working for a landscaper, she's been told she's on the wrong path by everyone --from her mom, who wants her to work at the hospital, to her boyfriend, who is dropping not-so-subtle hints that she should be doing something that matters. Then she is hired for a job at the home of Viridian, a lauded and lovely aging poet who introduces Carla to an eccentric circle of writers. At first she is perplexed by their predilection for reciting lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. Soon, though, she becomes enamored with this entire world: with Viridian, whose reputation has been defined by her infamous affair with a male poet, Mathias; with Viridian's circle; and especially with the power of words, the "ache and hunger that can both be awakened and soothed by a poem," a hunger that Carla feels sharply. When a fight emerges over a vital cache of poems that Mathias wrote about Viridian, Carla gets drawn in. But how much will she sacrifice for a group that may or may not see her as one of their own?