New on the Shelves at Albert Wisner Public Library: Bestsellers

In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite - a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs. Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death. "No Place to Bury the Dead” confirms Karina Sainz Borgo's importance amongst the voices of modern Latin American literature.

A never before published novel from beloved author Zora Neale Hurston, revealing the historical Herod the Great; in Hurston's retelling, Herod is not the wicked ruler of the New Testament who is charged with the slaughter of the innocents, but a forerunner of Christ, a beloved king who enriched Jewish culture and brought prosperity and peace to Judea. Portraying Herod within this vivid and dynamic world of antiquity, little known to modern readers, Hurston's unfinished manuscript brings this complex, compelling, and misunderstood leader fully into focus. Hurston shared her findings about Herod's rise, his reign, and his waning days in letters to friends and associates. Text from three of these letters concludes the manuscript in an intimate way. Scholar-Editor Deborah Plant's "Commentary: A Story Finally Told" assesses Hurston's pioneering work and underscores Hurston's perspective that the first century BCE has much to teach us and that the lens through which to view this dramatic and stirring era is the life and times of Herod the Great.

This heartwarming Korean bestseller tells the story of a mysterious diary left in a laundromat brings together patrons from all walks of life. Yeonnam-Dong's “Smiley Laundromat” is a place where the extraordinary stories of ordinary people unfold. Situated at the heart of rapidly gentrifying district of Seoul, the laundromat is a haven of peace and reflection for many locals. And when a notebook is left behind there, it becomes a place that brings people together. One by one, customers start jotting down candid diary entries, opening their hearts and inviting acts of kindness from neighbors who were once just faces in the crowd. But there is a darker story behind the notebook, and before long the laundromat's regulars are teaming up to solve the mystery and put the world to rights. Instantly capturing the hearts of readers around the world, this is a novel about the preciousness of human relationships and the power of solidarity in a world that is increasingly cold, fast-paced, and virtual.

Split between England and Nigeria, two extraordinary cousins are set on vastly different paths as they come to terms with their shared family history. Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother. But when tragedy strikes, she's sent to England, a place she knows only from her mother's stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother's family are cold and distant. With one exception: her cousin Liv. Free-spirited Liv has always wanted to break free of her joyless family. She becomes fiercely protective of her little cousin, and her warmth and kindness give Funke a place to heal. The two girls grow into adulthood the closest of friends. But the choices their mothers made haunt Funke and Liv and when a second tragedy occurs their friendship is torn apart. Against the long shadow of their shared family history, each woman will struggle to chart a path forward, separated by country, misunderstanding, and ambition.

On the peaceful Japanese island of Teshima there is a library of heartbeats, a place where the heartbeats of visitors from all around the world are collected. In this small, isolated building, the heartbeats of people who are still alive or have already passed away continue to echo. Several miles away, in the ancient city of Kamakura, two lonely souls meet: Shuichi, a 40-year-old illustrator, who returns to his hometown to fix up the house of his recently deceased mother, and eight-year-old Kenta, a child who wanders like a shadow around Shuichi's house. Day by day, the trust between Shuichi and Kenta grows, until they discover they share a bond that will tie them together for life. Their journey will lead them to Teshima and to the library of heartbeats . . . Inspired by Les Archives du Coeur, an art installation in Japan that permanently houses recordings of the heartbeats of people throughout the world, “The Heartbeat Library” is a story about loss and hope, pain and joy, reality and imagination, and the promise of healing and overcoming the odds thanks to the relationships we build and rediscover.

A disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative; Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister's lavish Caribbean wedding, she's unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed, she decides to write something just for herself. What comes out is a far-future epic where androids and AI wage war in the grown-over ruins of human civilization. She calls it “Rusted Robots.” When Zelu finds the courage to share her strange novel, she does not realize she is about to embark on a life-altering journey - one that will catapult her into literary stardom, but also perhaps obliterate everything her book was meant to be. Zelu's novel will change the future not only for humanity, but for the robots who come next.

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations. Almost forty years later, in a poor barrio of Caracas, María, a single mother, ekes out a precarious existence as a housekeeper, pouring her love into Eloy, her young son. Her devotion will not be enough, however, to keep them from disaster. On the eve of the attempted coup against President Chávez, Eloy is wounded by a stray bullet, fracturing her world. Amid the chaos at the hospital, María encounters Stanislavo, now a newspaper editor. Even as the country itself is convulsed by waves of unrest, this twist of fate forces a belated reckoning for Stanislavo, who may yet earn a chance to atone for old missteps before it's too late. With its epic scope, gripping narrative, and unflinching intimacy, “Freedom Is a Feast” announces a major new talent - Alejandro Puyana.

The city of Bulwark is aptly named: a walled city built to protect and preserve the people who managed to survive a series of great cataclysms, Bulwark was founded on a system where sacrifice is rewarded by the AI that runs the city. Over generations, an elite class has evolved from the descendants of those who gave up the most to found mankind's last stronghold, called the Sainted. Saint Enita Malovis, long accustomed to luxury, feels the end of her life and decades of work as a bio-prosthetist approaching. The lone practitioner of her art, Enita is determined to preserve her legacy and decides to create a physical being, called Nix, filled with her knowledge and experience. In the midst of her project, a fellow Sainted is brutally murdered and the city AI inexplicably erases the event from its data. Soon, Enita and Nix are drawn into the growing war that could change everything between Bulwark's hidden underclass and the programs that impose and maintain order. “ We Lived on the Horizon” grapples with concepts as varied as the human desire for utopia, body horror, and what the future holds for humanity and machine alike.

A decade prior to writing “The Rest Is Memory,” Lily Tuck read an obituary of the photographer Wilhelm Brasse, who took more than 40,000 pictures of the Auschwitz prisoners. Included were three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out the photos and kept them, determined to learn more about Czeslawa, but she was only able to glean the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and her neighbors, her tattoo number, and the date of her death. From this scant evidence, Tuck's novel becomes a remarkable kaleidoscopic feat of imagination, something only our greatest novelists can do - an unforgettable work of historical reclamation that rescues an innocent life, one previously only recalled by a stark triptych of photographs.