Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?).
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers--and will continue to do so for many years to come. John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing.
A highly original and intelligent investigation of the novel from celebrated writer and “gentle genius” E. M. Forster E. M. Forster’s renowned guide to writing sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and rhythm.
Lamott's miscellany of guidance and reflection should appeal to writers struggling with demons large and slight. Among the pearls she offers is to start small, as their father once advised her 10-year-old brother, who was agonizing over a book report on birds: "Just take it bird by bird." Lamott's suggestion on the craft of fiction is down-to-earth: worry about the characters, not the plot.
What makes a story a story? What is style? What's the connection between realism and real life? These are some of the questions James Wood answers in "How Fiction Works," the first book-length essay by the preeminent critic of his generation. Ranging widely--from Homer to David Foster Wallace, from "What Maisie Knew "to "Make Way for Ducklings"--Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel--plainspoken, funny, blunt--in the traditions of E. M. Forster's "Aspects of the Novel "and Strunk and White's "The Elements of Style."
In 1903, Rilke replied in a series of 10 letters to a student who had submitted some verses to the well-known Austrian poet for an assessment. Written during an important stage in Rilke's artistic development, these letters contain many of the themes that later appeared in his best works.
On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot.
"If you don't have the time to read, you don't have the time or the tools to write." In 1999, Stephen King began to write about his craft -- and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever. Rarely has a book on writing been so clear, so useful, and so revealing.
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet. Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental principles as well as the insights of a distinguished writer and teacher.
Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose. In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters.
Since 1984, Literary Arts has welcomed many of the world’s most renowned authors and storytellers to its stage for one of the country’s largest lectures series. Sold-out crowds congregate at Portland’s Arlene Schnitzer Concert Hall to hear these writers’ discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts’ thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume.
Annie Dillard has written eleven books, including the memoir of her parents, An American Childhood; the Northwest pioneer epic The Living; and the nonfiction narrative Pilgrim at Tinker Creek. A gregarious recluse, she is a member of the American Academy of Arts and Letters.
The most trusted guide to getting published! Want to get published and paid for your writing? Let Writer's Market 2018 guide you with thousands of publishing opportunities--including listings for book publishers, consumer and trade magazines, contests and awards, and literary agents. These listings feature contact and submission information so you can get started right away.
The best resource for getting your fiction published! Novel & Short Story Writer's Market 2018 is the only resource you need to get your short stories, novellas, and novels published. This edition of NSSWM features hundreds of updated listings for book publishers, literary agents, fiction publications, contests, and more, and each listing includes contact information, submission guidelines, and other essential tips.
The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2018, which features hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, Poet's Market offers brand-new articles devoted to the craft and business of poetry, including how to handle a book launch, delivering poetry in unusual places, starting your own poetry workshop, and more.
Take Control of Your Destiny Bottom line: You want to get published. You want to control the future of your manuscript and your writing career. Best-selling author Marilyn Ross and publishing expert Sue Collier show you how to make your own success - whether you're a published author, entrepreneur, corporation, professional, or absolute newcomer to writing.
Heffron likens [the] first-in-a-series volume to "a meeting of today's top writers... trading tips and opinions about their craft." It's more the literary equivalent of a diner menu: some familiar names and some new in a vast and eclectic collection whose only unifying theme is that everything within is written by a writer. Heffron has assembled essays on every aspect of writing, from the highly personal Why-I-Became-a-Writer variety to the more practical.
The anthology uses example and explanation to demonstrate the excitement and entertainment of various poetic forms, including the sonnet, the ode, the elegy and the pastoral. Included are essays by the editors describing their own personal journeys to a form for their poetic voice. Above all this anthology shows that poetic form is a continuing adventure.
Curious about where I find some of the writing prompts for each session? Below are the books I've been consulting:
Discover just how good your writing can be if you write, you know what it's like. Insight and creativity - the desire to push the boundaries of your writing - strike when you least expect it. And you're often in no position to act: in the shower, driving the kids to school...in the middle of the night. The 3 A.M. Epiphany offers more than 200 intriguing writing exercises designed to help you think, write, and revise like never before - without having to wait for creative inspiration.
In Crossroads, a wealth of exercises and rich diversity of models address the elements of writing fiction, poetry, creative nonfiction, and drama while developing an individual's writing skills. Clear, concise discussions of particular techniques of creative writing are followed by practice of these individual techniques.
"I would go as far as I could and hit a wall," said musician and memoirist Patti Smith. In response, playwright Sam Shepard advised, "When you hit a wall, just kick it in." Writing teacher Barbara Abercrombie's powerful writing prompts give us just the push we need to do it. Like a workout with a top trainer, her exercises warm up, stretch, and build creative muscle.
A revised and updated guide to the essentials of a writer's craft, presented by a brilliant practitioner of the art Completely revised and rewritten to address the challenges and opportunities of the modern era, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin's own witty commentary and an exercise that the writer can do solo or in a group.